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Romanticism, Realism and the Lines of Mimesis

Moderate Liberalism and the Scottish Enlightenment: Montesquieu, Hume, Smith Ferguson

Filming Death: End of Life Documentary Cinema

Images of Unrest: Documentary Film and Political Violence

Hybrid Images and the Vanishing Point of Digital Visual Effects

The Reader in al-Jahiz: Epistolary Rhetoric of an Arabic Prose Master

European Union Enlargement and Democratisation: The Normative Disconnect in Hungary Czechia

Planetary Politics: Arendt, Anarchy and the Climate Crisis

Wireless Futures: Speculative Media and German Modernity

Dundee and the Empire: ‘Juteopolis’ 1850 1939

French Westerns: On the Frontier of Film Genre and Cinema

Governance and Islam in East Africa: Muslims the State

Reading Spinoza in the Anthropocene

The Edinburgh Companion to Modernism and Technology

The Edinburgh Companion to Vegan Literary Studies

Thinking About Democracy in Turbulent Times: Sorbonne Lectures

Cinema on Sundays: Legalising British Exhibition

Preaching Pious Rulership in Medieval Islam: Ibn al Jawzi's Political Thought

Autobiographical Identities in Contemporary Arab Culture

Kings, Lords and Men in Scotland Britain, 1300 1625: Essays Honour of Jenny Wormald

Classes of Ladies Cloistered Spaces: Writing Feminist History through Biography in Fin-de-siecle Egypt

The Ethics of Documentary Film

The Spirit of Aristophanes

the Art of Iran in Twentieth and Twenty first Centuries: Tracing Modern Contemporary

The Natural History of Film Form

Situating Shakespeare Pedagogy in US Higher Education: Social Justice and Institutional Contexts

Film Regulation in A Cultural Context

The Birth of Sensory Power: Doing Things with Words, Numbers and Neurons

Nahid Persson Sarvestani: Towards A Liquid Authorship

Protestantism, Revolution and Scottish Political Thought: The European Context, 1637 1651